A laboratory-based exploration of the principles, techniques, and applications of holography as …
A laboratory-based exploration of the principles, techniques, and applications of holography as a 3-D imaging communication medium. Begins with interference and diffraction, and proceeds through laser off-axis holography to white-light "rainbow" and reflection holography. Term project required, with oral presentation and written report. MAS.450 is a laboratory course about holography and holographic imaging. This course teaches holography from a scientific and analytical point of view, moving from interference and diffraction to imaging of single points to the display of three-dimensional images. Using a "hands-on" approach, students explore the underlying physical phenomena that make holograms work, as well as designing laboratory setups to make their own images. The course also teaches mathematical techniques that allow the behavior of holography to be understood, predicted, and harnessed. Holography today brings together the fields of optics, chemistry, computer science, electrical engineering, visualization, three-dimensional display, and human perception in a unique and comprehensive way. As such, MAS.450 offers interesting and useful exposure to a wide range of principles and ideas. As a course satisfying the Institute Laboratory Requirement, MAS.450 teaches about science, scientific research, and the scientific method through observation and exploration, hinting at the excitement that inventors feel before they put their final equations to paper.
This art history video discussion looks at the "Holy Thorn Reliquary" (made …
This art history video discussion looks at the "Holy Thorn Reliquary" (made in Paris for Jean, Duc de Berry), c. 1390s, gold, enamel, ruby, pearl, sapphire, and rock crystal, 30 x 14.2 x 6.8 cm (British Museum, London).
This art history video discussion looks at Winslow Homer's "The Fog Warning …
This art history video discussion looks at Winslow Homer's "The Fog Warning (Halibut Fishing)", 1885, oil on canvas, 30-1/4 x 48-1/2 inches / 76.83 x 123.19 cm (Museum of Fine Arts, Boston).
This art history video discussion looks at Winslow Homer's "The Life Line", …
This art history video discussion looks at Winslow Homer's "The Life Line", 1884, oil on canvas, 28-5/8 x 44-3/4 inches / 72.7 x 113.7 cm (Philadelphia Museum of Art).
This art history video discussion looks at Edward Hopper's "Nighthawks", 1942, oil …
This art history video discussion looks at Edward Hopper's "Nighthawks", 1942, oil on canvas, 84.1 x 152.4 cm / 33-1/8 x 60 inches (The Art Institute of Chicago).
This art history video discussion looks at a "House Altar" depicting Akhenaten, …
This art history video discussion looks at a "House Altar" depicting Akhenaten, Nefertiti and Three of their Daughters, limestone, New Kingdom, Amarna period, 18th dynasty, c.1350 BCE (Agyptisches Museum/Neues Museum, Staatliche Museen zu Berlin).
The growing body of online educational resources is helping to create universal …
The growing body of online educational resources is helping to create universal access to language education. This is a good thing. Use this introductory guide to find open resources for your classroom. The OER ecosystem works best when everybody contributes content. Consider sharing your own. Educators often supplement foreign language textbooks. Perhaps your students need more grammar, authentic L2 materials, or listening practice exercises. Go to an open content search page. For example, Creative Commons offers a system of open licensing which enables resource sharing. Their CC search page is a great place to start. However, finding openly licensed educational resources (OER)—which can be edited, built upon, and shared without copyright restrictions—isnʼt always easy.
This course explores fundamental questions about the causes and nature of revolutions. …
This course explores fundamental questions about the causes and nature of revolutions. How do people overthrow their rulers? How do they establish new governments? Do radical upheavals require bloodshed, violence, or even terror? How have revolutionaries attempted to establish their ideals and realize their goals? We will look at a set of major political transformations throughout the world and across centuries to understand the meaning of revolution and evaluate its impact. By the end of the course, students will be able to offer reasons why some revolutions succeed and others fail. Materials for the course include the writings of revolutionaries, declarations and constitutions, music, films, art, memoirs, and newspapers.
This art history video discussion looks at Jan (and Hubert?) Van Eyck's …
This art history video discussion looks at Jan (and Hubert?) Van Eyck's "Ghent Altarpiece or The Adoration of the Mystic Lamb", tempera and oil on panel, (closed panels), Cathedral of Saint Bavo, Ghent, Belgium, completed 1432. Second Life correspondents Max Newbold and Sez Zabelin, discuss the closed Ghent Altarpiece (see the next video for a discussion of the open altarpiece) on the Vassar campus in Second Life.
This art history video is the second part of the discussion about …
This art history video is the second part of the discussion about Jan (and Hubert?) Van Eyck's "Ghent Altarpiece or The Adoration of the Mystic Lamb", tempera and oil on panel, (open panels), Cathedral of Saint Bavo, Ghent, Belgium, completed 1432.
This collection uses primary sources to explore the Hudson River School. Digital …
This collection uses primary sources to explore the Hudson River School. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.
This art history video discussion examines William Holman Hunt's "Claudio and Isabella", …
This art history video discussion examines William Holman Hunt's "Claudio and Isabella", 1850, oil on mahogany (Tate Britain). From William Shakespeare's Measure for Measure, Act III, scene 1 (a room in a prison).
This art history video discussion looks William Holman Hunts "Our English Coasts …
This art history video discussion looks William Holman Hunts "Our English Coasts ('Strayed Sheep')", 1852, oil on canvas, 432 x 584 mm (Tate Britain, London).
This course develops the theory and design of hydrofoil sections, including lifting …
This course develops the theory and design of hydrofoil sections, including lifting and thickness problems for sub-cavitating sections, unsteady flow problems, and computer-aided design of low drag cavitation-free sections. It also covers lifting line and lifting surface theory with applications to hydrofoil craft, rudder, control surface, propeller and wind turbine rotor design. Other topics include computer-aided design of wake adapted propellers, steady and unsteady propeller thrust and torque; performance analysis and design of wind turbine rotors in steady and stochastic wind; and numerical principles of vortex lattice and lifting surface panel methods. Projects illustrate the development of computational methods for lifting, propeller and wind turbine flows, and use of state-of-the-art simulation methods for lifting, propulsion and wind turbine applications.
This art history video discussion looks at an "Icon of the Triumph …
This art history video discussion looks at an "Icon of the Triumph of Orthodoxy (Byzantine)", c. 1400, tempera and gold on wood, 39 cm x 31 cm (British Museum, London).
This course explores how identities, whether of individuals or groups, are produced, …
This course explores how identities, whether of individuals or groups, are produced, maintained, and transformed. Students will be introduced to various theoretical perspectives that deal with identity formation, including constructions of "the normal." We will explore the utility of these perspectives for understanding identity components such as gender, sexual orientation, race, ethnicity, religion, language, social class, and bodily difference. By semester's end students will understand better how an individual can be at once cause and consequence of society, a unique agent of social action as well as a social product.
In a brief essay called Des espaces autres (1984) Michel Foucault announced …
In a brief essay called Des espaces autres (1984) Michel Foucault announced that after the nineteenth century, which was dominated by a historical outlook, the current century might rather be the century of space. His prophecy has been fulfilled: the end of the twentieth century witnessed a ‘spatial turn’ in humanities which was perhaps partly due to the globalisation of our modern world. Inspired by the spatial turn in the humanities, this volume presents a number of essays on the ideological role of space in literary texts. The individual articles analyse ancient and modern literary texts from the angle of the most recent theoretical conceptualisations of space. The focus throughout is on how the experience of space is determined by dominant political, philosophical or religious ideologies and how, in turn, the description of spaces in literature is employed to express, broadcast or deconstruct this experience. By bringing together ancient and modern, mostly postcolonial texts, this volume hopes to stimulate discussion among disciplines and across continents. Among the authors discussed are: Homer, Nonnus, Alcaeus of Lesbos, Apollonius of Rhodes, Vergil, Herodotus, Panagiotis Soutsos, Assia Djebar, Tahar Djaout, Olive Senior, Jamaica Kincaid, Stefan Heym, Benoit Dutuertre, Henrik Stangerup and David Malouf.
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