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Sites in Sight: Photography as Inquiry, Fall 2003
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CC BY-NC-SA
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Explores photography as a disciplined way of seeing, investigating landscapes, and expressing ideas. Readings, observations, and photographs form the basis of discussions on landscape, light, detail, place, poetics, and ways of seeing, among other issues. A rudimentary understanding of photography and access to a camera required.

Subject:
Arts and Humanities
Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Spirn, Anne Whiston
Date Added:
01/01/2003
Social Visualization, Fall 2004
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CC BY-NC-SA
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Supplementary work on individual or group basis. Registration subject to prior arrangement for subject matter and supervision by staff. From the course home page: Millions of people are on-line today and the number is rapidly growing - yet this virtual crowd is often invisible. In this course we will examine ways of visualizing people, their activities and their interactions. Students will study the cognitive and cultural basis for social visualization through readings drawn from sociology, psychology and interface design and they will explore new ways of depicting virtual crowds and mapping electronic spaces through a series of design exercises.

Subject:
Arts and Humanities
Psychology
Social Science
Sociology
Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Donath, Judith
Date Added:
01/01/2004
Special Topics in Mechanical Engineering: The Art and Science of Boat Design, January (IAP) 2007
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CC BY-NC-SA
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This class is jointly sponsored by the MIT Museum, Massachusetts Bay Maritime Artisans, the Department of Mechanical Engineering's Center for Ocean Engineering, and the Department of Architecture. The course teaches the fundamental steps in traditional boat design and demonstrates connections between craft and modern methods. Instructors provide vessel design orientation and then students carve their own shape ideas in the form of a wooden half-hull model. Experts teach the traditional skills of visualizing and carving your model in this phase of the class. After the models are completed, a practicing naval architect guides students in translating shape from models into a lines plan. The final phase of the class is a comparative analysis of the designs generated by the group.

Subject:
Applied Science
Architecture and Design
Arts and Humanities
Career and Technical Education
Maritime Science
Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Dias, Antonio
Date Added:
01/01/2007
Stories Without Words: Photographing the First Year, Fall 2006
Conditional Remix & Share Permitted
CC BY-NC-SA
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The transition from high school and home to college and a new living environment can be a fascinating and interesting time, made all the more challenging and interesting by being at MIT. More than recording the first semester through a series of snapshots, this freshman seminar will attempt to teach photography as a method of seeing and a tool for better understanding new surroundings. Over the course of the semester, students will develop a body of work through a series of assignments, and then attempt to describe the conditions and emotions of their new environment in a cohesive final presentation.

Subject:
Arts and Humanities
Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
McCluskey, Keith
Date Added:
01/01/2006
Stuck's The Sin
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CC BY-NC-SA
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In this art history video discussion Dr. Beth Harris and Dr. Steven Zucker look at Franz von Stuck's "The Sin," 1893. Neue Pinakothek, Munich.

Subject:
Art History
Arts and Humanities
Visual Arts
Material Type:
Diagram/Illustration
Lecture
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
Beth Harris and Steven Zucker
Date Added:
07/07/2021
Studio Seminar in Public Art, Spring 2006
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CC BY-NC-SA
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Focuses on the production of visual art for public places outside the gallery/museum context. Readings and discussions that engage aesthetic, social, political, and urban issues relevant to this expanded public context complement studio production. Traditional approaches of enhancement and commemoration are contrasted to more temporal and critical methodologies. Historical models are studied and discussed, including Russian Constructivist experiments, the Situationists, Conceptual Art, and more recent interventionist tactics.

Subject:
Art History
Arts and Humanities
Performing Arts
Visual Arts
Material Type:
Full Course
Provider:
M.I.T.
Provider Set:
M.I.T. OpenCourseWare
Author:
Muntadas, Antonio
Date Added:
01/01/2006
Titian's Christ Crowned with Thorns
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CC BY-NC-SA
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This art history video discussion considers Titian's "Christ Crowned with Thorns" c. 1570–76, oil on canvas. Alte Pinakothek, Munich.

Subject:
Art History
Arts and Humanities
Visual Arts
Material Type:
Diagram/Illustration
Lecture
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
Beth Harris
Steven Zucker
Date Added:
07/07/2021
Turner's Slave Ship
Conditional Remix & Share Permitted
CC BY-NC-SA
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This art history video looks at Joseph Mallord William Turner" "Slave Ship (Slavers Throwing Overboard the Dead and Dying, Typhoon Coming On" from 1840. Oil on canvas, Museum of Fine Arts, Boston.

Subject:
Art History
Arts and Humanities
Visual Arts
Material Type:
Diagram/Illustration
Lecture
Provider:
Khan Academy
Provider Set:
Smarthistory
Author:
Beth Harris
Lori Landay
Date Added:
07/07/2021