This art history video discussion looks at Piero della Francesca's "The Baptism of Christ", 1450s, tempera on wood, 167 x 116 cm (National Gallery, London).

This art history video discussion examines Pierre Le Gros the Younger's "Stanislas Kostka on His Deathbed", 1703, upstairs at Bernini's Sant'Andrea al Quirinale.

This video lecture looks at the painting techniques of Jackson Pollock: "One: Number 31, 1950". Abstract Expressionist New York. The Museum of Modern Art, October 3, 2--April 11, 2011. Filmed by Plowshares Media Images courtesy of Pollock-Krasner Foundation/Artists Rights Society (ARS), New York; and The Museum of Modern Art, New York. Music by Chris Parrello Chris Parrello, Ian Young, Kevin Thomas, Ziv Ravitz.

This art history video discussion examines Polykleitos' "Doryphoros (Spear-Bearer)," Roman marble copy after a Greek bronze original from c. 450-440 B.C.E. (Museo Archaeologico Nazionale, Naples).

This art history video discussion looks at Pontormo's "Entombment (or Deposition from the Cross)", oil on panel, 1525-28 (Capponi Chapel, Santa Felicita, Florence).

This art history video discussion looks at Georges Seurat's "A Sunday on La Grande Jatte" - 1884, 1884-86, oil on canvas (The Art Institute of Chicago).

This art history video discussion looks at Nicolas Poussin's "Landscape with Saint John on Patmos", 1640, oil on canvas (Art Institute of Chicago).

This art history video discussion looks at Fra Andrea Pozzo's "Glorification of Saint Ignatius" ceiling fresco in the nave of Sant'Ignazio, Rome, 1691-1694.

This art history video discussion examines Andrea Pozzo's Saint Ignatius Chapel in the left transept of the church, Il Ges, Rome (commissioned in 1695). Many artists contributed including Alessandro Algardi, Pierre Legros, Bernardino Ludovisi, Il Lorenzone and Jean-Baptiste Theodon. Materials include bronze, gold, silver, and many semiprecious stones most notably lapis lazuli.

Subject engages a dialogue with architecture and urbanism from the perspective of the visual artist. Ideas investigated thematically from early modernist practices to the most recent examples of contemporary production. Art making as an adjunct to the design process is challenged by both synthetic and critical models of production. Visual art practice is examined as a conceptual prologue to architectural and urbanistic thinking, as an integrated part of the design process, and as a critical epilogue. Lectures and discussions lead to the development of realized projects to be coordinated with architectural studio. This seminar engages in the notion of space from various points of departure. The goal is first of all to engage in the term and secondly to examine possibilities of art, architecture within urban settings in order to produce what is your interpretation of space.

This art history video discussion examines Raphael's "Galatea", c. 1513, fresco, Villa Farnesina, Rome, 9' 8" x 7' 5".

This art history video discussion looks at Raphael's "Madonna of the Goldfinch", 1505-6, oil on panel (Uffizi, Florence).

This art history video discussion looks at Raphael's "Alba Madonna" oil on panel transferred to canvas, c. 1510 (National Gallery of Art, Washington D.C.).

This art history video discussion looks at Raphael's "La belle jardiniere" and "Madonna and Child with Saint John the Baptist", 1507, oil on panel (Musee du Louvre, Paris).

This art history video discussion looks at Raphael's "Portrait of Pope Julius II", 1511, oil on poplar (National Gallery, London).

This art history video discussion looks at Raphael's "School of Athens", fresco, 1509-1511 (Stanza della Segnatura, Papal Palace, Vatican).

This art history video discussion looks at Raymond Duchamp-Villon's "Horse" 1914, bronze (Art Institute of Chicago).

This art history video discussion looks at Richard Redgrave's "The Sempstress", oil on canvas, 1846 (original version 1844) (Forbes Magazine Collection, New York).

This art history video discussion looks at Rembrandt van Rijn's "Bathsheba at Her Bath", 1654, oil on canvas, Musee du Louvre, Paris.

This art history video discussion examines Pierre Auguste Renoir's "La Loge", 1874, oil on canvas (Courtauld Gallery, London). This painting was exhibited by Renoir at the first Impressionist exhibition in Paris (1874).