This course is an introduction to epistemology: the theory of knowledge. We …
This course is an introduction to epistemology: the theory of knowledge. We will focus on skepticism—that is, the thesis that we know nothing at all—and we will survey a range of skeptical arguments and responses to skepticism.
This class will be constructed as a lecture-discussion, the purpose being to …
This class will be constructed as a lecture-discussion, the purpose being to engage important theoretical issues while simultaneously studying their continuing historical significance. To enhance discussion, three debates will be held in class. Each student will be required to participate in one of these debates. Each student will also be required to write three short papers. Class participation is essential and will be factored into the final grade.The course will portray the history of theory neither as the history of architectural theory exclusively, nor as a series of prepackaged static pronouncements, but as part of a broader set of issues with an active history that must be continually probed and queried. The sequence of topics will not be absolutely predetermined, but some of the primary issues that will be addressed are: pedagogy, professionalism, nature, modernity and the Enlightenment. Classroom discussions and debates are intended to demonstrate differences of opinion and enhance awareness of the consequences that these differences had in specific historical contexts.
In this lesson, students study issues related to independence and notions of …
In this lesson, students study issues related to independence and notions of manliness in Ernest Hemingway’s “Three Shots” as they conduct in-depth literary character analysis, consider the significance of environment to growing up and investigate Hemingway’s Nobel Prize-winning, unique prose style. In addition, they will have the opportunity to write and revise a short story based on their own childhood experiences and together create a short story collection.
This art history video discussion looks at Thutmose's "Model Bust of Queen …
This art history video discussion looks at Thutmose's "Model Bust of Queen Nefertiti", New Kingdom, 18th dynasty, c. 1340 BCE, limestone and plaster (Egyptian Museum and Papyrus Collection/Neues Museum, Berlin).
In this Smarthistory video Dr. Steven Zucker and Dr. Beth Harris discuss …
In this Smarthistory video Dr. Steven Zucker and Dr. Beth Harris discuss Titian's "Assumption of the Virgin," c. 1516-18, oil on wood, at the Santa Maria Gloriosa dei Frari in Venice.
This art history video discussion looks at Titian's "Bacchus and Ariadne", 1523-24, …
This art history video discussion looks at Titian's "Bacchus and Ariadne", 1523-24, oil on canvas now atop board (National Gallery, London). Part of a mythological cycle painted by Titian and Giovanni Bellini and commissioned by Alfonso d'Este, Duke of Ferrara that includes The Feast of the Gods and the Andrians. Originally hung in the studiolo or Camerini d'Alabastro of the Duke's Ferranese castle.
In this Smarthistory video Dr. Beth Harris & Dr. Steven Zucker discuss …
In this Smarthistory video Dr. Beth Harris & Dr. Steven Zucker discuss Titian's "Madonna of the Pesaro Family" 1519-26, oil on canvas, at the Santa Maria Gloriosa dei Frari in Venice.
Students study select court transcripts and other primary source materials from the …
Students study select court transcripts and other primary source materials from the second Scottsboro Boys Trial of 1933, a continuation of the first trial in which two young white women wrongfully accused nine African American teenagers of rape.
This collection uses primary sources to explore Harper Lee's To Kill a …
This collection uses primary sources to explore Harper Lee's To Kill a Mockingbird. Digital Public Library of America Primary Source Sets are designed to help students develop their critical thinking skills and draw diverse material from libraries, archives, and museums across the United States. Each set includes an overview, ten to fifteen primary sources, links to related resources, and a teaching guide. These sets were created and reviewed by the teachers on the DPLA's Education Advisory Committee.
The concept of globalization fosters the understanding of the interconnectedness of cultures …
The concept of globalization fosters the understanding of the interconnectedness of cultures and societies geographically wide apart; America, Europe, Asia, and Africa. Subject scans existing debates over globalization in four continents. Explores how globalization impacts everyday life in the First and Third World; how globalization leads to a common cosmopolitan culture; the emergence of a global youth culture; and religious, social, and political movements that challenge globalization. Materials examined include pop music, advertisements, film posters, and political cartoons. Topic for Spring 2003: Popular Culture in Japan. Taught in English.
Subject aims to provide an overview of Indian popular culture over the …
Subject aims to provide an overview of Indian popular culture over the last two decades, through a variety of material such as popular fiction, music, television and Bombay cinema. Explores major themes and their representations in relation to current social and political issues. In particular, examines the elements of the formulaic "masala movie", music and melodrama, the ideas of nostalgia and incumbent change in youth culture, as well as shifting questions of gender and sexuality in popular fiction. Students review journalistic writing, advertising clips, and political cartoons to understand the relation between the popular culture and the social imagery of a nation. Taught in English.
The goal of this course is to prepare you to engage in …
The goal of this course is to prepare you to engage in experimental investigations of questions related to linguistic theory, focusing on phonetics and phonology.
I realize that "Modes of Assertion" is a rather cryptic title for …
I realize that "Modes of Assertion" is a rather cryptic title for the course. What we will explore are ways of modulating the force of an assertion. This will engage us in formal semantics and pragmatics, the theory of speech acts and performative utterances, and quite a bit of empirical work on a not-too-well understood complex of data. It is obvious that he made a big mistake. If you're like me you didn't feel much of a difference. But now see what happens when you embed the two sentences: We have to fire him, because he obviously made a big mistake. We have to fire him, because it is obvious that he made a big mistake. One of the two examples is unremarkable, the other suggests that the reason he needs to be fired is not that he made a big mistake but the fact that it is obvious that he did. We will try to understand what is going on here and look at related constructions not just in English but also German (with its famous discourse particles like ja ) and Quechua and Tibetan (with their systems of evidentiality-marking, as recently studied in dissertations from Stanford and UCLA).
This multidisciplinary lecture / workshop engages students in a variety of approaches …
This multidisciplinary lecture / workshop engages students in a variety of approaches to the study and practice of performance as an area of aesthetic and social interaction. Special attention is paid to the use of diverse media in performance. Interdisciplinary approaches to study encourage students to seek out material histories of performance and practice.
The Empire Strikes back refers to the theoretical framework introduced to study …
The Empire Strikes back refers to the theoretical framework introduced to study texts and their recurrent themes. Theory explores the ways in which post-colonial texts have a problematic relationship with the colonizer's language. Explores strategies used to subvert and appropriate the pre-existing discourse of the Empire in order to give rise to a new form. Introduction to post-colonial literature from South Asia, as well as from the South Asian diaspora. Through study of novels by Rushdie, Ghosh, Seth, Roy, Desai, Ontaatdje, Suleri, Sidhwa, and Lahiri, students explore the phenomenon of the post-colonial writer's encounter with modernity. Examines how authors articulate recurrent themes of the post-colonial condition: migration and history, memory and desire, and rootlessness and hybridity. Taught in English. This subject aims to provide an overview of contemporary texts in regional languages in South Asian Literature and Cinema. We will cover major authors and film makers, writing from Bangladesh, India, Nepal, Pakistan and Sri Lanka. Within India, we will look at authors and directors working in different regional languages and as we examine their different socio-cultural, political and historical contexts we will attempt to understand what it means to study them under the all-unifying category of "South Asian Literature and Culture". Some of the major issues we shall explore include caste, gender, globalization and social change. We will end with exploring some of the newer, younger writers and directors and try to analyze some of the thematic and formal shifts in their work. Authors include Ashapurna Devi, Manto, Vijayan, Premchand, Mohanty, and Nasreen and film makers will include Adoor Gopalakrishnan, Satyajit Ray, Shyam Benegal, Aparna Sen and Rituporno Ghosh.
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