This art history video discussion examines Fra Angelico's "The Annunciation", c. 1438-47, fresco, 230 x 321 cm (Convent of San Marco, Florence).
This art history video discussion examines Fra Angelico's "The Annunciation and Life of the Virgin" (in the predella), c. 1426, tempera on wood, 194 x 194 cm (Museo del Prado, Madrid).
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child with two Angels", c. 1460-1465, tempera on panel, 95 x 63.5 cm (Galleria degli Uffizi, Florence).
This art history video discussion examines Fra Filippo Lippi's "Madonna and Child", c. 1440, tempera on panel, 79 x 51.1 cm / 31-1/8 x 20-1/8 inches (National Gallery of Art, Washington).
This art history video discussion examines Jean-Honore Fragonard's "The Progress of Love: The Meeting", 1771-1773, oil on canvas, 317.5 x 243.8 cm (The Frick Collection, New York).
This art history video discussion examines Jean-Honore Fragonard's "The Swing", oil on canvas, 1767 (Wallace Collection, London).
This art history video discussion examines Frank Lloyd Wright's Solomon R. Guggenheim Museum, New York City, 1942-1959.
This art history video discussion examines the Painting Techniques of Franz Kline: The Chief Abstract Expressionist New York The Museum of Modern Art, October 3, 2--April 11, 2011.
In this course, you will learn the basics of French, including reading, writing, listening, and speaking. At the end of the quarter you will know how to introduce yourself and volunteer basic information, and how to ask questions of others. You will also have some knowledge of French and Francophone cultures and protocols. This class is divided into four modules, which follow the chapters in the textbook. In each module you will be asked to read, write, speak, and listen in French. The class also includes a quarter-long cultural immersion project, in which you will be asked to conduct research on specific aspects of a non-European Francophone country and report your findings to the rest of the class.
As in French I, in this course, you will learn the basics of French, including reading, writing, listening, and speaking. At the end of the quarter you will know how to introduce yourself and volunteer basic information, and how to ask questions of others. You will also have some knowledge of French and Francophone cultures and protocols. This class is divided into four modules, which follow the chapters in the textbook. In each module you will be asked to read, write, speak, and listen in French. You will have daily homework assignments to complete. The class also includes a quarter-long cultural immersion project, in which you will be asked to conduct research on specific aspects of a non-European Francophone country and report your findings to the rest of the class.
As in French I and II, in this course, you will learn the basics of French, including reading, writing, listening, and speaking. At the end of the quarter you will know how to introduce yourself and volunteer basic information, and how to ask questions of others. You will also have some knowledge of French and Francophone cultures and protocols. This class is divided into four modules, which follow the chapters in the textbook. In each module you will be asked to read, write, speak, and listen in French. You will have daily homework assignments to complete. The class also includes a quarter-long cultural immersion project, in which you will be asked to conduct research on specific aspects of a non-European Francophone country and report your findings to the rest of the class.
This art history video discussion examines Frida Kahlo's "Frieda and Diego Rivera"‚ 1931, oil on canvas, 39-3/8 x 31 inches or 100.01 x 78.74 cm (San Francisco Museum of Modern Art). Painted in San Francisco during the artist's first trip outside of Mexico. She accompanied her husband Diego Rivera who was painting in the United States and would, at the end of the year, be the subject of a retrospecive at The Museum of Modern Art in New York.
This art history video discussion examines Caspar David Friedrich's "Abbey among Oak Trees", 1809 or 1810, oil on canvas, 110.4 x 171 cm (Alte Nationalgalerie, Berlin).
This art history video discussion examines Caspar David Friedrich's "Monk by the Sea", 1808 or 1810, oil on canvas, 110 x 171.5 cm (Alte Nationalgalerie, Staatliche Museen zu Berlin).
This art history video discussion examines Caspar David Friedrich's "Solitary Tree (or Lone Tree)", 1822, oil on canvas, 55 x 71 cm (Alte Nationalgalerie, Berlin).
This art history video discussion examines Caspar David Friedrich's "Woman at a Window", 1822, oil on canvas, 44 x 73 cm (Alte Nationalgalerie, Berlin).
From the earliest days of settlement and migration, the people of North America have relied on maps and mapping to understand their environment and place within it. Maps have helped Americans prospect investments, comprehend war, and plan leisure in places unknown. As Americans have used maps to explore the U.S., capitalize on its resources, and displace its Native peoples, maps have shaped American cultural ideas about travel, place, and ownership. This exhibit explores the cultural and historic impact of mapping through four specific moments in American history: migration along the Oregon Trail, the rise of the lumber industry, the Civil War, and the popularization of the automobile and individual tourism. It concludes with a look at maps in the age of computers, the Internet, and beyond. These moments demonstrate the influence maps have had over how Americans imagine, exploit, and interact with national geographies and local places. This exhibition was created as part of the DPLAs Digital Curation Program by the following students in Professor Helene Williams's capstone course at the Information School at the University of Washington: Greg Bem, Kili Bergau, Emily Felt, and Jessica Blanchard. Additional revisions and selections made by Greg Bem.
This art history video discussion examines Henry Fuseli's "Titania and Bottom", c. 1790, oil on canvas, 2172 x 2756 mm (Tate Britain, London).
This art history video discussion examines The Paris Opera (1860-75) by architect Charles Garnier.
This site offers a collection of free interactive language learning resources for beginning Mandarin Chinese. Students now have the option to practice pronunciation, vocabulary, grammar, listening, and reading skills at their own convenience.
Gateway to Chinese resources are designed to give students the valuable feedback they need to improve language skills in the critical early stages of learning. An extensive number of interactive exercises allow students to practice what they learn. With these tools, instructors can utilize valuable classroom time to do what they do best: teach!